The screenplay is dragging on. I keep making changes and can never seem to be satisfied. This is truly the most profound, emotional and deeply spiritual project I have engaged in. Sometimes I wonder if I bit off more than I can chew.
My full-time job and union steward duties make working on this project very difficult. Yet when I do work on it—and don't fall asleep—it is very cathartic. The stuff I am dealing with in the real world is very depressing.
The good news is that I am writing the last scenes for the final Act. I am very anxious to get the screenplay to advisers. Dealing with speculative aspects of ancient Indigenous culture (proto- and conventional Saami) is not something I take lightly. 
As I am getting closer to the need for switching from writer to illustrator mode, I am sketching more concepts. This latest shows an important character named Mohkku and another view of Lynx-Finder. For the first time I am experimenting with typography.
So I created letters for names of the characters. Each letter is inspired by glyphs that are found on a number of South Saami, Torne Saami and Lule Saami drums.
